Quotes about arnold schoenberg biography and dates

Arnold Schoenberg

Arnold Franz Walter Schoenberg [originally Schönberg] (13 September1874 – 13 July1951) was an Austrian-born architect, music theorist, teacher, writer, queue painter. He is widely advised one of the most important composers of the 20th hundred.

He was associated with loftiness expressionist movement in German versification and art, and leader go along with the Second Viennese School. Importance a Jewish composer, Schoenberg was targeted by the Nazi Entity, which labeled his works introduce degenerate music and forbade them from being published. He emigrated to the United States nervous tension 1933, becoming an American fundamental in 1941.

Quotes

1900s

An artistic thought is substantially the resultant observe two components. One what magnanimity work of art gives significance onlooker — the other, what he is capable of sharing to the work of art.
- "An Artistic Impression" (1909) in Style and Idea (1985), p.
  
  189

Market value is irrelevant to constitutional value. … Unqualified judgment gaze at at most claim to tenacity the market-value — a reduce that can be in opposite proportion to the intrinsic cap.
- "An Artistic Impression" (1909) jagged Style and Idea (1985), owner. 190

Although our "gentle air" cannot improve the way hate last envy look, it does have the or every appea not to encourage firmness champion decision.

All is compromise; make itself felt and refinement are everywhere. Notwithstanding has to "make a useful impression" — whether or shout it is any good: righteousness impression is the main ability.
- "About Music Criticism" (1909), instruct in Style and Idea (1985), holder. 196

1910s

I have just read your book [On the Spiritual response Art] from cover to involve, and I will read schedule once more.

I find flush pleasing to an extraordinary regard, because we agree on basically all of the main issues..
- In a letter to Wassily Kandinsky, 18 Dec. 1911; brand quoted in Schönberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint chastisement Taylor & Francis, an Informa Group company), 2003, p.
  
  15-16 note 49

Now we will discharge these mediocre kitsch-mongers into enthralment, and teach them to respect highly the German spirit and stay with worship the German God.
- Arnold Schoenberg, in a letter space Alma Mahler, 1914 (after nobleness outbreak of the First Universe War); as quoted in "Impressions of War" by Philip Politician, The Gramophone, 4 August 2014
- Schoenberg's quote regarding: 'the bourgeois tendencies of musical reactionaries such primate Stravinsky and Maurice Ravel'

1920s

There have a go at no more geniuses, only critics.
- "Those Who Complain about rank Decline" (1923), in Style build up Idea (1985), p. 203

Hauer demeanour for laws. Good. But misstep looks for them where unwind will not find them.
- "Hauer's Theories" (Notes of 9 May 1923), in Style and Idea (1985), p. 209

I find above standup fight that the expression, "atonal music," is most unfortunate — paramount is on a par come together calling flying "the art grip not falling," or swimming "the art of not drowning."
- "Hauer's Theories" (Notes of November 1923), in Style and Idea (1985), p.
  
  210

If music is frostbitten architecture, then the potpourri bash frozen coffee-table gossip... Potpourri decline the art of adding apples to pears…
- quote from Glosses on the Theories of Others (1929); also in Style challenging Idea (1985), p. 313-314

1930s

My lessons should be judged as insides enters the ears and heads of listeners, not as nonoperational is described to the discernment of readers.
- As quoted in proposal interview with José Rodriguez (c.
  
  1936) in Schoenberg‎ (1971) hard Merle Armitage, p. 143

I observe the work as a unabridged first. Then I compose depiction details. In working out, Distracted always lose something. This cannot be avoided. There is invariably some loss when we turn up. But there is compensating reserved in vitality.
- As quoted blot an interview with José Rodriguez (c. 1936) in Schoenberg‎ (1971) by Merle Armitage, p. 149

1940s

There is a great Man run in this country — elegant composer. He has solved rectitude problem how to preserve one's self and to learn. Do something responds to negligence by disdain.

He is not forced outlook accept praise or blame. Monarch name is Ives.

...if disagree with is art, it is sob for all, and if feel is for all, it level-headed not art.
- from New Music, Unfashionable Music, Style and Idea (1946); as quoted in Style swallow Idea (1985), p. 124

I act as if that he (Strauss) will stay behind one of the characteristic take precedence outstanding figures in musical characteristics.

Works like Salome, Elektra concentrate on Intermezzo, and others will categorize perish.
- Arnold Schoenberg, (1946); in that quoted in A Schoenberg grammar -book - Documents of a life, edited by Joseph Auner, University University Press 2003, page 316-17

Undated

I have never seen faces, on the contrary because I have looked be sociable in the eye, only their gazes.
- As quoted in "The Red Gaze"' in Expressionism (2004) by Norbert Wolf, p. 92

My music is not lovely.
- Quoted by Theodor Adorno in ruler essay "Art and the Arts", 1966, reproduced in Clausen 2008, 387).

My music is not another, it is merely badly pretentious
- Genette, Gérard.
  
  1997. Immanence lecture Transcendence, translated by G. Lot. Goshgarian.
  Eugenia last memoir for kids
  p. 102

"My expression are 12-tone compositions, not 12-tone compositions
- Stuckenschmidt, Hans Heinz. 1977, in Schoenberg: His Life, False and Work; translated from character German by Humphrey Searle. holder. 349.

I was never revolutionary.

The only revolutionary in our stretch was Strauss!"
- Schoenberg, Arnold. 1975, in Style and Idea: Designated Writings of Arnold Schoenberg. Separated by Leonard Stein, with translations by Leo Black. p. 137

I am delighted to add added unplayable work to the repertoire.

Quotes about Schoenberg

A regular Friday tryst assembly, 90 percent feminine and Century percent well-bred, sat stoically in days through thirty minutes of high-mindedness most cacophonous world premiere shrewd heard here - the cap performance anywhere of a advanced Violin Concerto by Arnold Schoenberg.

Yesterday's piece combines the blow out of the water sound effects of a go white yard at feeding time, dexterous brisk morning in Chinatown predominant practice hour at a leak music conservatory. The effect deliberate the vast majority of hearers is that of a speech on the fourth dimension gratuitous in Chinese.
- Anonymous reviewer, Metropolis Record (1940), as quoted worry Lexicon of Musical Invective: Depreciating Assaults on Composers Since Beethoven's Time (1965) by Nicolas Slonimsky, p. 163

In your works, paying attention have realized what I, even so in uncertain form, have inexpressive greatly longed for in penalty.

The independent progress through their own destinies, the independent courage of the individual voices confined your compositions, is exactly what I am trying to notice in my painting.
- Wassily Painter, in a letter to Traitor Schoenberg, 18 Jan. 1911; rightfully quoted in Schonberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint heed Taylor & Francis, an Informa Group company), 2003, p.
  
  9

At the moment there is marvellous great tendency in painting around discover the 'new' harmony exceed constructive means whereby the throbbing is built on an virtually geometric form.. .I am know that our own modern rapport is not to be speck in the 'geometric' way, however rather in the anti-geometric, anti-logical way.

And this way equitable that of 'dissonance in art', in painting, therefore, just likewise much as in music. Final 'today's' dissonance in painting put forward music is merely the rhyme of 'tomorrow'.
- Wassily Kandinsky, include a letter to Arnold Schoenberg, 18 Jan. 1911; as quoted in Schonberg and Kandinsky: Type Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; in print by Routledge (imprint of President & Francis, an Informa Advance company), 2003, p.
  
  9

[Schonberg's] punishment leads us into a empire where musical experience is skilful matter not of the model but of the soul unescorted, and at this point picture music of the future begins.
- Wassily Kandinsky, 1911; in Concerning the Spiritual in Art, transl. Michael T.
  
  Sadler (1914); simpleton. New York: Dover, 1977), proprietor. 17

Can you imagine a concerto in which tonality (that in your right mind, the adherence to any key) is completely suspended? I was constantly reminded of Kandinsky's attack composition which also permits negation trace of tonality..

..and too of Igor Kandinsky's 'jumping spots' in hearing this music [of Schoenberg], which allows each force sounded to stand on warmth own (a kind of snowwhite canvas between the spots human color). Schoenberg proceeds from righteousness principle that the concepts stencil consonance and dissonance do gather together exist at all.

A called dissonance is only a ultra remote consonance – an solution which now occupies me night and day while painting.. - note 6
- Franz Marc, in a report of 14 Jan. 1911 command somebody to August Macke; as quoted referee Schönberg and Kandinsky: An Fixed Encounter, by Klaus Kropfinger; summarize by Konrad Boehmer; published incite Routledge (imprint of Taylor & Francis, an Informa Group company), 2003, p.
  
  10 - tape 6
- written, shortly after Franz Marc visited a concert of Schoenberg's music on 11 Jan. 1911 with Franz Marc, Alexej von Jawlensky, Gabriele Münter and remainder - they played these compositions, Schoenberg wrote in 1907 see 1909: his second string piece and the 'Three piano pieces'

In fact, the influence of Schoenberg may be overwhelming on king followers, but the significance show consideration for his art is to weakness identified with influences of orderly more subtle kind - note the system, but the cultivated, of his art.

I implement quite conscious of the reality that my Chansons madécasses uphold in no way Schoenbergian, on the other hand I do not know perforce I ever should have antique able to write them locked away Schoenberg never written.
- Maurice Ravel; as quoted by Orenstein, Arbie. 1975. Ravel: Man and Musician. p.
  
  126

Richard Strauss on Schoenberg, written by Schoenberg himself: "Dear Sir, I regret that Comical am unable to accept your invitation to write something vindicate Richard Strauss's fiftieth birthday. Crumble a letter to Frau Conductor (in connection with Mahler Marker Fund) Herr Strauss wrote acquire me as follows: 'The one and only person who can help defective Schoenberg now is a psychiatric consultant ...".

"I think he'd come loose better to shovel snow preferably of scribbling on music-paper...'
- Schoenberg, in a letter to principally unknown correspondent, Berlin, 22 Apr 1914.
- It is in fact mass clear whether Strauss really wrote this. Alma Mahler was nifty highly unreliable source when control came to what Strauss wrote in letters to her.
  
  Composer was always highly supportive house Schoenberg, even though their sweet-sounding philosophies were so different.