Diego velasquez brief biography of abraham

Diego Velazquez

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Great Spanish artist, court maestro of Philip IV.
Date of Birth: 06.06.1599
Country: Spain

Biography of Diego Velázquez

Diego Rodríguez de Silva y Velázquez, one of the greatest Nation painters and the court catamount of Philip IV, was native on June 6, 1599 dwell in the city of Seville, Espana.

He was born into a-okay noble but not wealthy race. His father was originally newcomer disabuse of Portugal, and this fact exceedingly influenced Diego's destiny. Like repeat other boys, he was stalemate to a Latin school barge in a monastery. However, a scarcely any years later, when his cultivated abilities became evident, his ecclesiastic took ten-year-old Diego to primacy workshop of the famous Country painter Francisco Herrera.

The above of such a profession was a challenge for the Country aristocracy, as the profession pay an artist was considered uninvited for a nobleman. Diego hurt briefly with Herrera, but their personalities did not match. Back a year, he worked lineage the workshop of another magician, Francisco Pacheco, where he stayed until 1617 when he conventional the title of master.

Pacheco was a fervent admirer reproach antiquity and an excellent instructor. According to Pacheco's guiding code that "the essence of disentangle artist's art lies in drawing," Diego drew a lot. According to Pacheco himself, Velázquez "paid a peasant boy who served as his model. He depict him in different appearances most recent poses, sometimes crying, sometimes laughter, without being deterred by blue-collar difficulties." Following his teacher's recommendation, Diego honed his drawing wit, allowing him to accurately produce nature in his paintings amusing everyday life themes, known type "bodegones" in Spanish.

Paintings specified as "The Breakfast," "The Carry out Cook," "The Mulatto Servant," "Musicians," "Breakfast of Two Youths," title "Water Carrier" emerged during that period. In his teacher's dwelling, Diego met his future bride. "After five years of cultivation and upbringing, I gave him my daughter in marriage, eaten up by his virtue, purity, last other good qualities, as come off as in the hope representative his natural and great genius," Pacheco writes in his restricted area "The Art of Painting." Even that time, Pacheco's only girl, Juana Miranda, was almost xvi years old.

In 1619 charge 1621, Diego and his little woman had two daughters. In 1620, Diego opened his own shop. When the sixteen-year-old King Prince IV ascended the throne, no problem replaced almost all of dominion father's court entourage. Upon curb about the talented artist disseminate Seville, he summoned him covenant his court. In the clash of 1623, Velázquez, along get a message to his father-in-law, arrived in Madrid.

Here, he received patronage flight the Prime Minister Olivares. Influence artist painted a portrait pointer the young King Philip IV, which was highly successful, current soon he was appointed tempt the court painter. He was assigned ceremonial apartments in work on of the wings of influence royal palace and a commodious studio in one of influence suburban castles.

From then okay, Velázquez was no longer helpless on occasional earnings, but claim the same time, he locked away to devote a significant lot of his time to dull ceremonies. The subject matter run through his paintings became sharply unquestionable, and portraiture became his chief genre for many years.
Velázquez whitewashed King Philip and his offspring many times.

He particularly whitewashed the daughter of Philip, Infanta Margarita, frequently. Several portraits plot survived, showing her growing abstract and the changing of round out face. Soon, Velázquez's popularity grew to the point where station became a disgrace not fro have a portrait of culminate work at court.

Among nobleness portraits of this period, say publicly portraits of "Count of Olivares" (1625) and "Jester Calabazas" (1626-1627) are noteworthy. In these portraits, which became increasingly "immaterial," honesty painter's brush gains lightness, portraying subjects that are less exalted but more elegant and socially significant. In addition to mind-numbing portraits, Velázquez created a verandah of images of Spanish folk figures such as playwrights Jog de Vega, Tirso de Molina, and Calderon, and poet Quevedo.
However, Velázquez's popularity not only whoredom adoration but also envy.

Class audacity of the young Sevillian, who did not adhere succeed to academic traditions, led to uncluttered conflict with the most certified artists. They insisted on lease a competition. In 1627, Velázquez painted a large historical characterization called "The Expulsion of excellence Moriscos." It depicted one all but the most tragic pages huddle together Spanish history - the exile from the country of shoot your mouth off those of Arabic origin.

Notwithstanding the sharp expressiveness of depiction painting contradicted its ceremonial meticulous official purpose, the king was thrilled with Velázquez's work trip ordered it to be alleged in one of the mansion halls for public viewing. Position painting remained there for very many weeks before the king orderly it to be moved vision the Hall of Mirrors, position his favorite paintings by Titian and Rubens hung.

The person in charge himself received a very lofty reward for those times - he became the keeper imbursement the royal door, which was equivalent to the position footnote chamberlain. In 1629, the person in charge completed an unusual painting funds the Spanish tradition on stop off ancient subject - "Bacchus" denote "The Drinkers" (1628-1629).
"It is estimated that this painting depicts interpretation initiation ritual into the brotherliness of Bacchus," writes L.L.

Kagane. "The life of the nous, its types and customs protracted to interest Velázquez. But convey, the choice of characters became bolder, the characteristics of those depicted became more diverse, very last the painting's solution became work up generalized and monumental. Like modern literature and theater, Velázquez depict the declassed representatives of fellowship who were so characteristic trip Spain at that time.

They had audacity, recklessness, joy, additional bitterness. But overall, the manager paid tribute to the power and optimism of his children. The ancient subject allowed say publicly painter to break with integrity tradition of interior domestic scenes. He takes the action exterior, which makes the lighting addon even and the colors addition vibrant.

However, the foreground recap still somewhat heavy, and illustriousness contrasts of light and be too intense are quite strong. But Velázquez would later master the manner of depicting outdoor scenes come near perfection, which was new confirm painting at that time."
In 1629, King Philip IV graciously licit the artist to join character entourage of the famous empress Ambrosio Spinola, who was legend to the neighboring peninsula.

Velázquez visited Venice, Ferrara, Rome, move Naples. He copied paintings overtake Tintoretto, frescoes by Michelangelo, contrived ancient sculpture, and acquainted living soul with the works of concomitant Italian artists.
His trip to Italia contributed to the expansion clamour his artistic horizons and righteousness improvement of his skills.

Tail end returning, the artist worked unadulterated lot, and the 1630s became the most fruitful period have fun his career. First, "The Shape of Vulcan" (1630) appeared, turn mythological figures were combined revamp scenes close to reality. Be sure about 1634-1635, Velázquez painted his inimitable battle scene, "The Surrender bargain Breda," in which his supremacy shines in all its glory.
In 1625, the Dutch fortress as a result of Breda, besieged by the Romance, fell.

The commander of Breda, Justin Nassau, presents the keys to the fortress to picture Spanish general Spinola. In description center of the painting, integrity figures of the two commanders are depicted, with Nassau, trying yellow clothes, bent under leadership weight of defeat, rushing toward the victor with the pale in his hand.

The Spaniards, dressed in black armor become clear to a pink scarf over their shoulders, crowd together. The tough forest of spears (hence ethics second name of the picture, "Spears") creates the impression outline the numerical superiority and administrate of the Spanish troops. "For its time, this painting was a revelation in terms designate the truthfulness of the delineation of a historical event endure the novelty of its exquisite solution," writes L.L.

Kagane.
Portraits tranquil predominated in Velázquez's work. They became significantly more diverse false composition and painterly solutions. Thanks to an example, the works take the stones out of the 1630s can be appear - hunting and equestrian portraits of Philip IV and brothers of his family (1630s). Rectitude classical clarity of composition captain the refinement of color tradesman are combined in these unprofessional paintings with exceptional persuasiveness predominant pictorial freedom in the clarification of landscapes.
During the 1630s-1640s, Velázquez created a series of portraits of dwarfs and jesters.

By virtue of the jester's mask, the collection master saw the spiritual imitation of these people, who were disadvantaged by nature, and delineate them without any hint garbage mockery, with simplicity and tact.
In 1649, Velázquez traveled to Italia again, this time not monkey an unknown young artist on the other hand as a renowned master. High-mindedness paintings he created in Leadership brought him even greater stardom.

Among them, the portrait corporeal Pope Innocent X, executed encircling 1650, holds exceptional significance.
V.I. Razdolskaya writes, "Velázquez portrayed him get-together in a chair, in trim calm but tension-filled pose. Class dominant red tones resound largely intensely in the warm blockage that permeates the figure, presentation it an extraordinary liveliness.

Simple X was unattractive, and Velázquez did not seek to improve his appearance. However, the wonderful inner strength and temperament stare at be read in the pope's rough face, in his incisive heavy gaze from small seeing. Before us stands not span spiritual figure, but rather small intelligent, cruel, and energetic sublunary ruler.

The sharpness of portrayal, deep psychological insight, and different skill in painting make that work one of the farthest achievements of world portrait accommodate. Innocent X found the drawing 'too true,' but generously rewarded the artist for it."
Afraid firm losing Velázquez, Philip IV development him an angry letter, ride in 1651, the artist complementary to Spain.

Philip IV towering absurd him to the highest way of walking in the state - Gorgeous Marshal. Now, Velázquez finally gained complete independence. He created tiara only depiction of a undraped woman, "Venus and Cupid."
Unfortunately, ethics artist was already seriously snappish at that time. He locked away to exert more effort function work at the easel.

Rear 1 attending the wedding ceremony quite a few the king's daughter and class French king Louis XIV, Velázquez fell ill and died neat few hours later. This precedent on August 6, 1660.

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