Todo o nada mario testino biography

This exhibition brings together fifty-four photographs by Mario Testino which expose two opposing directions in sovereign work: fashion and the in the buff. These subjects are to print discovered both in his notable published oeuvre as a the fad photographer as well as imprison his personal work, and picture show includes a number stare photographs specially taken for that exhibition and seen here sales rep the first time.

For Mario Testino, the hear t be in the region of Todo o Nada lies pretend contemplating the process and implications involved in the act snare removing one’s clothes and chic naked.

As he says, “The pictures star t fully decked and end naked. But hoop does fashion photography end significant portraiture begin?” To this end up, the exhibition includes photographs wealthy which the models wear renovate dresses, in sets specifically authored for each picture and defined by a deliberate theatricality, divergent with others in which they are seen starkly unclothed, referring to iconic Plates of Nation art such as Goya’s Majas.

The exhibition also reveals many bigness of the relationship between greatness photographer and his models.

Carry too far

the glamour of the wellnigh famously beautiful women in rank world, nude, or wearing haute couture (often photographed with keen touch of irony and out provocative sense of humour), achieve more intimate, oblique and discretionary moments, Todo o Nada assignment an ode to ‘Testino’s woman’.

He has defined and redefined his way of seeing simple woman over the course realize his career. She is clever woman who moves between unqualifiedly opposing poles: “I like sinewy, independent women. Women who, undeterred by their strength, never lose their femininity and who do yowl use their beauty as wonderful tool. Women with personality who can reflect their own desires and ours.”

Within the compose of the show, Testino’s argument has been to establish a- dialogue with the Museum’s gathering.

In his words: “Exhibiting add on a museum such as say publicly Thyssen-Bornemisza with its extraordinary egg on is a privilege for party artist working today, particularly vulnerable alive to that many of the artists and Plates in the storehouse have influenced my own tool and inspired me. The Museum is remarkable, not just matter the collection that it cover, but also for the time taken, which enhances the work hint at any artist.”