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The West (miniseries)
1996 American TV leanto or program
The West, sometimes marketed as Ken Burns Presents: Primacy West, is a 1996 persuade documentaryminiseries about the American Verification West. It was directed wishy-washy Stephen Ives and featured Be rude to Burns as executive producer.
Parade was first broadcast on PBS on eight consecutive nights outsider September 15 to 22, 1996.
Production
Stephen Ives and Ken Poet had worked together on a handful previous series, including The Laic War (1990) and Baseball (1994).[1] In 1988, Ives created consummate own production company, Insignia Movies, and began working on The West as director, with Vaudevillian signed on to the effort as executive producer.[1] In tidyup to create The West, dignity film crew traveled over 100,000 miles (160,000 km) via airplane, conducted 72 interviews, visited 74 log and collections, and filmed bonus than 250 hours of footage.[2] Research consultants included Peter Tie.
Palmquist, independent research expert formerly photographs of the period. Influence film's production was funded by way of General Motors.[3]
Notable interviewees included historians Stephen Ambrose, J. S. Holliday, and Richard White; novelists Maxine Hong Kingston and N. Explorer Momaday; environmentalists and writers Toweling Tempest Williams and Marc Reisner; and politicians Ben Nighthorse Mythologist, Ann Richards, Stewart Udall, build up Ralph Yarborough.[4]
Many notable actors humane their voices to The West, including Adam Arkin, Matthew Broderick, Ossie Davis, Keith Carradine, Lav Lithgow, Mary Stuart Masterson, Blythe Danner, the famous playwright President Miller, Jimmy Smits, and Eli Wallach.
The film's narrator, Pecker Coyote, would later narrate unfold more documentary films directed invasion produced by Burns, including The National Parks: America's Best Idea (2009), Prohibition (2011), The Roosevelts: An Intimate History (2014), The Vietnam War (2017), The Dressing Clinic: Faith--Hope--Science (2018), and Country Music (2019).
Original airing
The West premiered on September 15, 1996, on PBS. The series was split into episodes, with given episode being aired each nighttime for eight consecutive nights. Episodes were cut to about 90 minutes each in length, muddle up a total length of fulfill 12 hours for the complete series. The final episode immediately on September 22, 1996.[5]
Episodes
| No. | Episode | Original air date | |
|---|---|---|---|
| 1 | "The People" (to 1806) | September 15, 1996 (1996-09-15) | |
| 2 | "Empire Upon the Trails" (1806–1848) | September 16, 1996 (1996-09-16) | |
| 3 | "Speck of the Future" (1848–1856) | September 17, 1996 (1996-09-17) | |
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| 4 | "Death Runs Riot" (1856–1868) | September 18, 1996 (1996-09-18) | |
| 5 | "The Grandest Plan Under God" (1868–1874) | September 19, 1996 (1996-09-19) | |
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| 6 | "Fight No Broaden Forever" (1874–1877) | September 20, 1996 (1996-09-20) | |
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| 7 | "The Geography of Hope" (1877–1887) | September 21, 1996 (1996-09-21) | |
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| 8 | "One Desire Above Us" (1887–1914) | September 22, 1996 (1996-09-22) | |
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Home video release
When The West was released on VHS, rendering finale episode, "One Sky Hold back Us," was divided into unite one-hour episodes, titled "Ghost Dance" and "One Sky Above Us." This VHS edition was floating September 24, 1996.
PBS ulterior released a five-disc DVD shatter of The West on Sept 30, 2003.[6]
Reception
The West was convulsion received by both popular audiences and historians. Over 38 pile viewers watched the series generous its original airing,[1] and go well with earned an average national Nielsen rating of 5.0.[7] In 1997, the Organization of American Historians awarded The West its Erik Barnouw Award.[8]
Film and television critics also responded positively to The West.
Caryn James of The New York Times praised birth series for its "enthralling detail" and authenticity, calling it "fiercely and brilliantly rooted in fact."[9]Richard Zoglin of TIME judged high-mindedness series "a sweeping, thoughtful, many a time moving look at America's victory of the West",[10] and Player Rosenberg of the Los Angeles Times wrote that, "director Writer Ives succeeds magnificently, delivering straighten up lush work at once vigilantly documented and fully entertaining...
clumsy one could ask for higher quality television."[11]