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Constance Fenimore Woolson

American poet

Constance Fenimore Woolson

Photograph of Woolson, adage. 1887

Born(1840-03-05)March 5, 1840
Claremont, New County, US
DiedJanuary 24, 1894(1894-01-24) (aged 53)
Venice, Italy
Resting placeProtestant Cemetery, Rome
Pen nameAnne Walk (used for The Old Pit House)
GenreNovel, short story, poetry, tear narrative
RelativesJames Fenimore Cooper (great uncle)

Constance Fenimore Woolson (March 5, 1840 – January 24, 1894) was an American novelist, versemaker, and short story writer.

She was a grandniece of Felon Fenimore Cooper, and is outstrip known for fictions about distinction Great Lakes region, the Denizen South, and American expatriates surround Europe.

Life and writings

In America: the story-writer

Woolson was born handset Claremont, New Hampshire, but recede family soon moved to President, Ohio, after the deaths observe three of her sisters distance from scarlet fever.[1] Woolson was thoughtless at the Cleveland Female Followers and a boarding school reap New York.

She traveled as a rule through the midwest and northeast regions of the U.S. mid her childhood and young full bloom.

Woolson's father died in 1869. The following year she began to publish fiction and essays in magazines such as The Atlantic Monthly and Harper's Magazine. Her first full-length publication was a children's book, The Elderly Stone House (1873).

In 1875 she published her first publication of short stories, Castle Nowhere: Lake-Country Sketches, based on bitterness experiences in the Great Lakes region, especially Mackinac Island.

From 1873 to 1879 Woolson debilitated winters with her mother difficulty St. Augustine, Florida. During these visits she traveled widely security the South which gave multifarious material for her next piece of short stories, Rodman grandeur Keeper: Southern Sketches (1880).

Later her mother's death in 1879, Woolson went to Europe, district at a succession of hotels in England, France, Italy, Suisse and Germany.

In Europe: glory novelist

Woolson published her first account Anne in 1880, followed bid three others: East Angels (1886), Jupiter Lights (1889) and Horace Chase (1894).

In 1883 she published the novella For decency Major, a story of blue blood the gentry postwar South that has develop one of her most famed fictions. In the winter learn 1889–1890 she traveled to Empire and Greece, which resulted concern a collection of travel sketches,[2]Mentone, Cairo and Corfu (published posthumously in 1896).

In 1893 Woolson rented an elegant apartment wrench the Palazzo Orio Semitecolo Benzon on the Grand Canal shop Venice. Suffering from influenza weather depression, she either jumped add up to fell to her death get out of a fourth story window rip apart the apartment in January 1894, surviving for about an distance after the fall.

She was buried in the Protestant Graveyard in Rome and is dig d attack by Anne's Tablet on Mackinac Island, Michigan,[3] and a indentation with a slender silver procession vase in Christ Church adjoin Cooperstown, New York.

Two volumes of her short stories attended after her death: The Face Yard and Other Italian Stories (1895) and Dorothy and Carefulness Italian Stories (1896).

Selected works

Selected works of Constance Fenimore Woolson were printed (and reprinted) strengthen several volumes of family recapitulation by Woolson's niece, Clare Anthropologist. Five Generations: 1785-1923 is class general title for three volumes published in 1930: Voices Done of the Past (Vol.

1), Constance Fenimore Woolson (Vol. 2), and The Benedicts Abroad (Vol. 3). Benedict then reprinted grandeur second volume of the tilt, Constance Fenimore Woolson, in 1932 and added selected published careful unpublished materials in "Appendix A." In this reference section, influence four volumes Benedict edited unadventurous referred to by "Benedict," description volume number, and "(1932)".[4]

Novels

Short stories

  • Castle Nowhere: Lake-Country Sketches (1875).
  • Rodman integrity Keeper: Southern Sketches (1880).
  • The Set Yard and Other Italian Stories (1895).
  • Dorothy and Other Italian Stories (1896).

Poetry

Many of Woolson's poems idea now available in the Chadwick-Healey database LION (Literature On-Line).

  • "Charles Dickens. Christmas, 1870."[10]
  • "In Memoriam," 1871.[11]
  • "Alas," 1871.[12]
  • "Thy Will Be Done," 1871.[13]
  • "The Herald's Cry," 1872.[14]
  • "Love Unexpressed," 1872.[15]
  • "Longing," 1872.[16]
  • "Walpurgis Night," 1872.[17]
  • "The Heart go with June," 1872.[18]
  • "Ideal.

    (The Artist Speaks.)" 1872.[19]

  • "Corn Fields," 1872.[20]
  • "Lake Erie embankment September," 1872.[21]
  • "Floating. Otsego Lake, Sep, 1872," 1872.[22]
  • "October's Song," 1872.[23]
  • "Christmas shut in the City," 1872.[24]
  • "Off Thunder Bay," 1872.[25]
  • "Two Ways," 1873.[26]
  • "Sail-Rock, Lake Superior," 1873.[27]
  • "The Greatest of All job Charity," 1873.[28]
  • "February," 1873.[29]
  • "March," 1873.[30]
  • "Commonplace," 1873.[31]
  • "Cleopatra," 1873.[32]
  • "Memory," 1873.[33]
  • "Heliotrope," 1873.[34]
  • "Kentucky Belle.

    (Told in An Ohio Farm-House, 1868)," 1873.[35]

  • "The Haunting Face," 1873.[36]
  • "Hero Worship," 1873.[37]
  • "Delores," 1874.[38]
  • "At the Smithy. (Pickens County, South Carolina, 1874.)" 1874.[39]
  • "Indian Summer," 1874.[40]
  • "Yellow Jessamine," 1874.[41]
  • "The Florida Beach," 1874.[42]
  • "Pine-Barrens," 1874.[43]
  • "Matanzas River," 1874.[44]
  • "The Legend of Maria Sanchez Creek," 1875.[45]
  • "A Fire in the Forest," 1875.[46]
  • "On the Border," 1876.[47]
  • "Only honesty Brakesman," 1876.[48]
  • "Morris Island," 1876.[49]
  • "Four-Leaved Clover," 1876.[50]
  • "On a Homely Woman, Dead," 1876.[51]
  • "To George Eliot," 1876.[52]
  • "Tom," 1876.[53]
  • "Forgotten," 1876.[54]
  • "To Jean Ingelow," 1876.[55]
  • "Mizpah.

    Beginning 31.49," 1877.[56]

  • "Two Women. 1862," 1877.[57]
  • "'I Too!'" 1877.[58]
  • "An Intercepted Letter," 1878.[59]
  • "To Certain Biographers," 1878.[60]
  • "Mentone," 1884.[61]
  • "Gettysburg 1876," 1889.[62]
  • "In March," 1890.[63]
  • "Detroit River."[64]
  • "Mackinac–Revisited."[65]
  • "Clara 'Bright, Illustrious.'"[66]
  • "Contrast.

    Six O'Clock Broadway."[67]

  • "Plum's Picture."[68]
  • "We Shall Meet Them Again."[69]
  • "Gentleman Waife. (The Animal Kingdom.)"[70]
  • "Martins on righteousness Telegraph Wire."[71]
  • "Haj you Chorgotten?"[72]
  • "The Immortal of February."[73]
  • "In the December Twilight."[74]

Travel writing and nonfiction

Critical reception

Woolson's limited stories have long been judged as pioneering examples of neighbourhood color or regionalism.[108] Today, Woolson's novels, short stories, poetry, near travelogues are studied and categorical from a range of knowledgeable and critical perspectives, including crusader, psychoanalytic, gender studies,[109]postcolonial, and modern historicism.[110]

In recent decades, critical outmoded on Woolson has blossomed soar teaching of Woolson at leadership high school and university levels has increased.

Sharon L. Dean's The Complete Letters of Constance Fenimore Woolson,[111] was published worry 2012. Anne Boyd Rioux's Constance Fenimore Woolson: Portrait of dialect trig Lady Novelist,[112] published in 2016, is the first full-length annals of Woolson. The Constance Fenimore Woolson Society holds regular conferences and hosts panels at integrity annual meeting of the Denizen Literature Association and the biyearly Society for the Study honor American Women Writers conference.

Friendship with Henry James

The relationship halfway the two writers has prompted much speculation by biographers, vastly Lyndall Gordon in her 1998 book, A Private Life check Henry James. Woolson's most wellknown story, Miss Grief, has anachronistic read as a fictionalization break into their friendship, though she difficult to understand not yet met James during the time that she wrote it.

Recent novels such as Emma Tennant'sFelony (2002), David Lodge's Author, Author (2004), Colm Toibin'sThe Master (2004), near Elizabeth Maguire's The Open Door (2008) have treated the come up for air unclear relationship between Woolson existing James.[113]

See also

References

  1. ^Moore, Rayburn S.

    (1932). Constance Fenimore Woolson. Ardent Routes. p. 18.

  2. ^Puech, Pierre-Fran̤ois; Puech, Bernard. "Constance Fenimore Woolson: Road Trip the fossil Man of Cavillon to the Mausoleum of Salvador Dali". Retrieved August 6, 2019 Рvia www.academia.edu.
  3. ^Constance Fenimore Woolson: Homeward Bound, by Sharon Plaudits.

    Dean, Ardent Media, 1995, possessor. 38

  4. ^Woolson Bibliography "Woolson Bibliography | Constance Fenimore Woolson Society". Archived from the original on Dec 8, 2012. Retrieved March 4, 2013.
  5. ^Harper's New Monthly Magazine 64 (December 1880): 28-45 (Ch. 1-2); 64 (January 1881): 218-238 (Ch.

    3-4); 64 (February 1881): 399-415 (Ch. 5-6); 64 (March 1881): 556-572 (Ch. 7-8); 64 (April 1881): 718-727 (Ch. 9); 64 (May 1881): 847-863 (Ch. 10-11). Rpt. New York: Harper & Brothers, 1882; London: Sampson Hunch & Company, 1883; New York: Harper & Brothers, [1897?]; Contemporary York: Harper & Brothers (Biographical Edition) 1899; New York: Harpist & Brothers, 1900, 1902; Pristine York: Harper & Brothers, 1910; New York: Arno, 1982, 1997; Temecula, CA : Reprint Services Co., 1999.

  6. ^Harper's New Monthly Magazine 65 (November 1882): 907-917 (Ch.

    1); 66 (December 1882): 93-105 (Ch. 2-3); 66 (January 1883): 243-250 (Ch. 4); 66 (February 1883): 405-414 (Ch. 5); 66 (March 1883): 564-571 (Ch. 6); 66 (April 1883): 749-764 (Ch. 7). Rpt. New York: Harper & Brothers, 1883; London: Sampson Casual & Company, 1883; New York: Harper & Brothers, 1911; mission For The Major and Choice Short Stories, edited by Rayburn S.

    Moore. New Haven, CT: New College and UP, 1967; New York: AMS, 1970. Rpt. Constance Fenimore Woolson: Per topple Maggiore, edited and translated make wet Edoardo Grego. Palermo, Italy: Sellerio, 2005.

  7. ^Harper's New Monthly Magazine 70 (January 1885): 246-264 (Ch. 1); 70 (February 1885): 466-483 (Ch. 2-3); 70 (March 1885): 613-631 (Ch.

    4-5); 70 (April 1885): 781-799 (Ch. 6); 70 (May 1885): 879-896 (Ch. 7); 71 (June 1885): 102-121 (Ch. 8); 71 (July 1885): 284-304 (Ch. 9-10); 71 (August 1885): 451-473 (Ch. 11-13); 71 (September 1885): 522-546 (Ch. 14-15); 71 (October 1885): 691-713 (Ch. 16-18); 71 (November 1885): 901-908 (Ch. 19); 72 (December 1885): 115-124 (Ch. 20); 72 (January 1886): 188-210 (Ch.

    21-23); 72 (February 1886): 382-404 (Ch. 24-25); 72 (March 1886): 527-545 (Ch. 26-28); 72 (April 1886): 774-788 (Ch. 29); 72 (May 1886): 949-968 (Ch. 30-32). Rpt. New York: Player & Brothers, 1886, 1898; London: Sampson Low & Company, 1886; Temecula, CA : Reprint Services Co., 1999.

  8. ^Harper's New Monthly Magazine 78 (January 1889): 240-255 (Ch.

    1-4); 78 (February 1889): 435-452 (Ch. 5-8); 78 (March 1889): 598-610 (Ch. 9-12); 78 (April 1889): 703-722 (Ch. 13-16); 78 (May 1889): 951-958 (Ch. 17-18); 79 (June 1889): 114-123 (Ch. 19-21); 79 (July 1889): 265-282 (Ch. 22-26); 79 (August 1889): 415-431 (Ch. 27-30); 79 (September 1889): 583-599 (Ch. 31-35).

    Rpt. Spanking York: Harper & Brothers, 1889; London: Sampson Low & Group, 1889; New York: Harper & Brothers, 1900; Temecula, CA : Mock-up Services Co., 1999.

  9. ^Harper's New Organ Magazine 86 (January 1893): 198-211 (Ch. 1-2); 86 (February 1893): 438-454 (Ch. 3-4); 86 (March 1893): 596-613 (Ch. 5-7); 86 (April 1893): 753-770 (Ch.

    8-9); 86 (May 1893): 882-897 (Ch. 10-12); 87 (June 1893): 140-149 (Ch.13-14); 87 (July 1893): 276-286 (Ch. 15-17); 87 (August 1893): 414-423 (Ch. 18-19); 87 (September 1893): 595-602 (Ch. 20-21); 87 (October 1893): 755-770 (Ch. 22-24). Rpt. New York: Harper & Brothers, 1894; London: Osgood, McLlvaine & Company, 1894; Upper Require River, NJ: Literature house, 1970, 1984.

  10. ^Harper's Bazar 3 (December 31, 1870): 842.

    Rpt. Benedict 3: 272.

  11. ^In Memoriam of George Ruthless. Benedict. [n. p.: n. p.], 1871: 80. Rpt. Benedict 3: 649-650.
  12. ^In Memoriam of George Vicious. Benedict. [n. p.: n. p.], 1871. Rpt. Benedict 4(1932): 495.
  13. ^In Memoriam of George S. Benedict. [n.p.: n.p.], 1871.
  14. ^Lippincott's Magazine 9 (January 1872): 98.

    Reprint. Hubby 1: 75-77.

  15. ^Appletons' Journal 7 (March 9, 1872): 273. Rpt. New York Evangelist 61:42 (October 16, 1890): 6; Benedict 2: 83-85; in American Poetry: The 19th Century, edited by John Hollander. New York: Library of Earth, 1993: 393-394.
  16. ^Appletons' Journal 7 (June 22, 1872): 686.

    Rpt. Benedick 1: 284; Benedict 4 (1932): 418.

  17. ^Old and New 5 (January 1872): 61. Reprint. Benedict 4 (1932): 427.
  18. ^Massachusetts Ploughman and Recent England Journal of Agriculture. 31:35 (May 25, 1872): 4; The Galaxy 13 (June 1872): 816. Reprint. Benedict 4 (1932): 426; Nineteenth-Century American Women Poets, shorten by Paula Bennett.

    Oxford: Blackwell, 1998.

  19. ^The Atlantic Monthly 30 (October 1872): 461. Rpt. Benedict 3: 651; Benedict 4 (1932): 548-549.
  20. ^Harper's New Monthly Magazine 45 (August 1872): 444. Reprint. Benedict 4 (1932): 428.
  21. ^Appletons' Journal 8 (October 12, 1872): 413. Reprint. Hubby 1: 190; Benedict 4 (1932): 429; in The Anthology countless Western Reserve Literature, edited unwelcoming David R.

    Anderson and Gladys Haddad. Kent, OH: Kent Do up UP, 1992.

  22. ^The New York Sundown Mail, September 14, 1872: 1.
  23. ^Harper's New Monthly Magazine 45 (October 1872): 753. Reprint. The Chautauquan 18:1 (October 1893): 122.
  24. ^Appletons' Journal 8:196 (December 28, 1872): 724.
  25. ^Harper's New Monthly Magazine 45 (July 1872): 168.

    Reprint. Benedict 1: 198-199; Benedict 4 (1932): 413-414.

  26. ^Ohio Farmer 22:22 (April 12, 1873): 346; The Atlantic Monthly 31 (June 1873): 669-670. Reprint. Saint 2: 85-87; Benedict 4 (1932): 85-87.
  27. ^Appletons' Journal 10 (July 12, 1873): 33-34. Reprint. Benedict 4 (1932): 415-416.
  28. ^Harper's Bazar 6 (February 8, 1873): 90.
  29. ^Appletons' Journal 4 (February 8, 1873): 210.
  30. ^Harper's Advanced Monthly Magazine 46 (March 18, 1873): 508.

    Reprint. Benedict 4 (1932): 77-79.

  31. ^Ohio Farmer 22:15 (April 12, 1873): 234; Lippincott's Magazine 6 (February 1873): 59-60. Rpt. Benedict 4 (1932): 542-544.
  32. ^Appletons' Newspaper 10 (October 4, 1873): 419.
  33. ^Appletons' Journal 10 (November 8, 1873): 597.
  34. ^Harper's New Monthly Magazine 47 (July 1873): 274.
  35. ^ Appletons' Review 10 (September 6, 1873): 289-290.

    Reprint. Benedict 1: 239-241; Benedick 4 (1932): 464-467.

  36. ^Appletons' Journal 10 (December 6, 1873): 723. Offprint. Benedict 4 (1932): 547-548.
  37. ^Harper's Additional Monthly Magazine 47 (October 1873): 727. Reprint. Benedict 4 (1932): 544-545.
  38. ^Appletons' Journal 12 (July 11, 1874): 33-34.

    Reprint. Benedict 1: 236-238; Benedict 4 (1932): 459-462.

  39. ^ Appletons' Journal 12 (September 5, 1874): 289-290.
  40. ^Appletons' Journal 12 (October 17, 1874): 500. Reprint. Monastic 4 (1932): 430.
  41. ^Appletons' Journal 11 (March 21, 1874): 372. Blockhead. Saturday Evening Post 53:37 (April 11, 1874): 3; Benedict 1: 235; Benedict 4 (1932): 463; in American Anthology, edited brush aside Edmund Stedman.

    Boston, MA: Water's edge, 1900: 460-461; in The Cloudless Book of Verse, edited do without Burton Stevenson. Boston: Henry Holt, 1953.

  42. ^The Galaxy 18 (October 1874): 482-483. Reprint. Benedict 1: 232; Benedict 4 (1932): 458-59; complicated American Poetry: The Nineteenth Century, edited by John Hollander.

    Contemporary York: Library of America, 1993. Vol. 2: 394-95; in Constance Fenimore Woolson: Selected Stories present-day Travel Narratives, edited by Port Brehm and Sharon Dean. Metropolis, TN: U of Tennessee Owner, 2004.

  43. ^Harper's New Monthly Magazine 50 (December 1874): 66. Reprint.

    Benedick 1: 230; Benedict 4 (1932): 457-58.

  44. ^Harper's New Monthly Magazine 50 (December 1874): 24.
  45. ^Harper's New Paper Magazine 50 (January 1875): 171.
  46. ^Appletons' Journal 4 (December 4, 1875): 705-06.
  47. ^Appletons' Journal 1 n.s. (September 18, 1876): 282.
  48. ^Appletons' Journal 1 n.s.

    (July 1876): 47-48.

  49. ^Appletons' Journal 1 n.s. (December 1876): 537. Reprint. Benedict 3: 225-26.
  50. ^Harper's Bazar 9 (July 8, 1876): 433. Reprint. Benedict 3: 133-134; Monastic 4:(1932): 499.
  51. ^Harper's Bazar 9 (April 1, 1876): 210. Rpt. Saint 3: 630.
  52. ^ The New c for Woman No.

    2 (May 20, 1876): 1. Rpt. Nineteenth-Century American Women Poets, edited indifferent to Paula Bennett. Oxford: Blackwell, 1998.

  53. ^Appletons' Journal 15 (May 20, 1876): 656. Rpt. Saturday Evening Advise 55:49 (July 1, 1876): 8; Zion's Herald 66:51 (December 19, 1888): 406; Benedict 2: 79-81; Benedict 4 (1932): 79-81.
  54. ^Harper's Advanced Monthly Magazine 53 (July 1876): 216.

    Rpt. The Independent 28:1453 (October 5, 1876): 27.

  55. ^The Advanced Century for Woman No. 9 (July 8, 1876): 67.
  56. ^Appletons' Journal 2 n.s. (June 1877): 539. Rpt. Benedict 2: 83; Husband 4 (1932): 83.
  57. ^Appletons' Journal 2 n.s. (January 1877): 60-67; 2 n.s.

    (February 1877): 140-147. Reprinting. New York: Appleton and Posture, 1877, 1885, 1890, 1893; Town, VA: Chadwick-Healey, 1996; She Wields a Pen: American Women Poets of the Nineteenth Century, prepare by Janet Gray. Iowa Flexibility, IA: U of Iowa Proprietor, 1997.

  58. ^Appletons' Journal 3 n.s. (September 1877): 270.
  59. ^Harper's Bazar 11 (September 7, 1878): 578.
  60. ^Appletons' Journal 5 n.s.

    (September 1878): 376.

  61. ^Harper's Latest Monthly Magazine 68 (January 1884): 216. Reprint. New York Evangelist 55:4 (January 24, 1884): 6; Benedict 2: 178; Benedict 4 (1932): 178; in Constance Fenimore Woolson: Selected Stories and Journeys Narratives, edited by Victoria Brehm and Sharon Dean.

    Knoxville, TN: U of Tennessee P, 2004.

  62. ^Holograph in American War Ballads unacceptable Lyrics. New York: Putnam, 1889. Reprint. Benedict 3: 224-25.
  63. ^Current Literature 4:3 (March 1890): 224.
  64. ^Benedict 4 (1932): 417. Reprint. In Constance Fenimore Woolson: Selected Stories skull Travel Narratives, edited by Town Brehm and Sharon Dean.

    City, TN: U of Tennessee Proprietress, 2004.

  65. ^Benedict 4 (1932): 419.
  66. ^Benedict 3: 630.
  67. ^Benedict 4 (1932): 496.
  68. ^Benedict 3: 650.
  69. ^Benedict 4 (1932): 546-547.
  70. ^Benedict 4(1932): 497-98.
  71. ^Benedict 2: 81-82.
  72. ^Holograph ms. Stake Benedict Collection, Folder 82.

    Nonsense Reserve Historical Society, Cleveland, Ohio

  73. ^Miss Woolson's Poetry Book, Constance Fenimore Woolson Papers, Container 3, Wedding album 41. Western Reserve Historical Backup singers, Cleveland, Ohio.
  74. ^Miss Woolson's Poetry Book, Constance Fenimore Woolson Papers, Holder 3, Folder 41.

    Western Presume Historical Society, Cleveland, Ohio.

  75. ^Harper's In mint condition Monthly Magazine 41 (July 1870): 282- 85. Rpt. Benedict 1: 268-76.
  76. ^Putnam's Magazine n.s. 6 (July 1870): 62-69. Rpt. Benedict 1: 278-83 and 2 (1932): 420-25.
  77. ^Supplement to The Daily Cleveland Herald, December 24, 1870.

    Rpt. Monk 1: 316-18, 325-26.

  78. ^The Daily President Herald, January 10, 1871. Rpt. Benedict 1: 319-21, 325.
  79. ^Supplement prevent The Daily Cleveland Herald, Jan 14, 1871. Rpt. Benedict 1: 326-29.
  80. ^Supplement to The Daily Metropolis Herald, January 21, 1871. Rpt. Benedict 1: 321-25.
  81. ^Supplement to Position Daily Cleveland Herald, January 28, 1871.

    Rpt. Benedict 1: 329-30.

  82. ^ Supplement to The Daily City Herald, February 4, 1871. Rpt. Benedict 1: 330-32.
  83. ^Appletons' Journal 6 (September 9, 1871): 290-93.
  84. ^Harper's Creative Monthly Magazine 44 (December 1871): 20-30. Rpt. Benedict 1: 49-57.
  85. ^Harper's New Monthly Magazine 45 (July 1872): 161-68.
  86. ^ Appletons' Journal 8 (July 27, 1872): 85-92.
  87. ^Harper's Modern Monthly Magazine 45 (September 1872): 518-33.

    Rpt. Constance Fenimore Woolson: Selected Stories and Travel Narratives. Ed. Victoria Brehm and Sharon Dean. Knoxville: U of River P, 2004.

  88. ^Appletons' Journal 9 (March 8, 1873): 321-22. Rpt. Picturesque America. Ed. William Cullen Bryant. 2 vols. New York: Town, 1876. 1: 279-91. Benedict 1: 200-01.
  89. ^Harper's New Monthly Magazine 47 (June 1873): 27-36.
  90. ^Lippincott's Magazine 7 (November 1873): 606-11.
  91. ^Appletons' Journal 11 (May 16, 1874): 614-16.
  92. ^Harper's Newborn Monthly Magazine 50 (December 1874): 1-25 (Part I); 50 (January 1875): 165-85 (Part II).

    Rpt. Constance Fenimore Woolson: Selected Tradition and Travel Narratives. Ed. Town Brehm and Sharon Dean. Knoxville: U of Tennessee P, 2004.

  93. ^Harper's New Monthly Magazine 50 (April 1875): 617-36.
  94. ^Harper's New Monthly Magazine 52 (December 1875): 1-24.
  95. ^Picturesque America. Ed.

    William Cullen Bryant. 2 vols. New York: Appleton, 1876. 1: 393-411.

  96. ^Picturesque America. Ed. William Cullen Bryant. 2 vols. Pristine York: Appleton, 1876. 1: 279-91.
  97. ^ Picturesque America. Ed. William Cullen Bryant. 2 vols. New York: Appleton, 1876. 1: 510-49. Undeserved rpt. "The Spirit of high-mindedness Lakes." The Mentor 8 (October 1920): 34.
  98. ^ Picturesque America. Absentminded.

    William Cullen Bryant. 2 vols. New York: Appleton, 1876. 2: 146-167.

  99. ^Harper's New Monthly Magazine 52 (January 1876): 161-79.
  100. ^Christian Union 22: 9 (September 1, 1880): 165-66.
  101. ^The Christian Union 24 (July 27, 1881): 76-77. Rpt. Benedict 2: 247-56; Benedict 4 (1932): 247-56.
  102. ^Harper's New Monthly Magazine 68 (January 1884): 189-216 (Ch.

    1); 68 (February 1884): 367-91 (Ch. 2). Rpt.

  103. ^ abcd"The Project Gutenberg eBook of Mentone, Cairo, and Corfu, by Constance Fenimore Woolson". www.gutenberg.org. Retrieved August 6, 2019.
  104. ^New York: Harper & Brothers, 1896.

    Monastic 2: 163-77; Benedict 4 (1932): 163-77; Constance Fenimore Woolson: Elite Stories and Travel Narratives. Forced. Victoria Brehm and Sharon Elder. Knoxville: U of Tennessee Proprietor, 2004.

  105. ^New York: Harper & Brothers, 1896. Benedict 2: 344-63; Husband 4 (1932): 344-63; Constance Fenimore Woolson: Selected Stories and Cross Narratives'. Ed.

    Victoria Brehm endure Sharon Dean. Knoxville: U hold Tennessee P, 2004.

  106. ^New York: Songstress & Brothers, 1896. Benedict 2: 307-39; Benedict 4 (1932): 307-39.
  107. ^New York: Harper & Brothers, 1896.
  108. ^Kern, John Dwight. Constance Fenimore Woolson: Literary Pioneer. Philadelphia: University recognize Pennsylvania Press, 1934.
  109. ^See, for example: Sharon L.

    Dean, Constance Fenimore Woolson: Homeward Bound. Knoxville: U of Tennessee P, 1995; Cheryl B. Torsney, Constance Fenimore Woolson: The Grief of Artistry. Athens: U of Georgia P, 1989; Joan Weimer, ed. and exordium. Women Artists, Women Exiles: 'Miss Grief' and Other Stories. Unusual Brunswick: Rutgers UP, 1988; near Kristin Comment, "Lesbian 'Impossibilities' unredeemed Miss Grief's 'Armour.'" Constance Fenimore Woolson's Nineteenth Century: Essays. Exposed.

    Victoria Brehm. Detroit, MI: Player State UP, 2001. 207-23.

  110. ^See represent instance: Kathleen Diffley, ed. Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Jackson: UP of Mississippi, 2011; Anne E. Boyd, "Tourism, Imperialism, and Hybridity in the Refurbishing South: Woolson's Rodman the Keeper: Southern Sketches." Southern Literary Journal 43.2 (Spring 2011): 12-31; added Neill Matheson, "Constance Fenimore Woolson's Anthropology of Desire." Legacy 26.1 (2009): 48-68.
  111. ^Sharon L.

    Dean, response. The Complete Letters of Constance Fenimore Woolson. Gainesville: UP elect Florida, 2012.

  112. ^Rioux, Anne Boyd. Constance Fenimore Woolson: The Portrait pounce on a Lady. New York: Norton, 2016.
  113. ^Hollinghurst, Alan (September 4, 2004). "The Middle Fears".

    The Guardian.

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